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Keiko Sato

Keiko Sato

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Pink Ribbon 2004 (6.2)

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.


Keiko Sato

Keiko Sato

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Angel Guts: Red Classroom 1979 (6.4)

When Muraki, a porn magazine editor, watches a blue film depicting a gang rape in a school, he becomes obsessed with the lead actress. Quite by chance, whilst looking to reserve a location for a shoot, he happens to encounter her at a love hotel where she works as a receptionist. Her name is Nami and she reluctantly agrees to speak with him, and confesses that it was her in the film. Then, Muraki tells Nami that he wants her to model for him.


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Renzoku boko: Hakuchu no inmu 1982 (2)

A building manager spots a hooded jogger as he brazenly assaults a woman and drags her off. He follows and watches as the poor woman gets raped. After the rapist has left the manager hesitates and approaches the prone woman… and takes his turn. The next day the manager is on the lookout for the jogger, waiting for another chance.


Keiko Satomi

Keiko Satomi

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Enoken's Home Run King 1948

Postwar! Baseball! Comedy! Enoken plays a superfan of the Yomiuri Giants – the real Tokyo team, with many of its star players "acting" as themselves – who, despite his utter lack of athletic abilities, becomes embroiled in their successes, and their personal lives. Will Enoken help the Giants take the pennant?


Keiko Sato

Keiko Sato

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Funeral Parade of Roses 1969 (7.579)

In 1960s Tokyo, Gonda owns a bar in which the gay, cross-dresser, and trans scenes meet. Gonda is in a relationship with the madam of the bar, Leda. As the younger Eddie starts a passionate affair with Gonda, she ignites the jealousy of Leda, unaware of another kind of history between them.


Keiko Sato

Keiko Sato

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I Love You 1999 (7.5)

To encourage a positive attitude, hearing-impaired mother Asako joins a theatrical troupe with her daughter Ai. Problems arise during rehearsals between the deaf and the hearing but they learn to work together by overcoming. On the public performance day, two deaf lovers are objected by their parents, which leads to Ai knowing Asako losing hearing when giving birth to Ai, As the curtain rises, Ai is found missing from the back stage…


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I Love Peace 2003

Izumi aims to be the first deaf creator of artificial limbs. One day, her senior co-worker, Kubo, goes to Afghanistan to help give aid to children as a member of an NGO. Izumi decides to go along. In Kabul, the wounds of war are still fresh and Izumi meets a girl named Parizatt who has lost a leg to a mine.


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I Love Friends 2001

One day, a deaf photographer, Miki Yamashina, happens to meet a young man, Makoto Shibata, on the street. Shibata had been averse to human contact ever since he ran over a child, but Miki finds an unexpected way to support him.


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