Using video technology as an extension of his body, Yamamoto interacts with a pre-recorded image of his hand displayed on a monitor.
A bare foot rests on the monitor, while at the same time the screen of the same monitor shows another foot. This picture, however, is upside-down (suggesting a mirror effect) so as to hint that both feet are one and the same. Consequently this symmetry partly conceals the contrast between the two feet: dressed and bare, reversed positions within and outside the video screen, recorded and again registered.
Two faces, in fact two silhouettes, are outlined against a monochromic background. They nod, interchange, underline their soundless talk with gestures of the hand. The gesticulating hands contribute to the communicative role ‘breath’ plays
