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A young woman works as a waitress in a diner. Her relationship with her boyfriend is unfulfilling and to further complicate things she is obsessed with a large hemangioma, or benign vascular tumor, on her hip (one that we actually never see). One day after she encounters a mysterious man wearing a hood and playing a clarinet she discover a small shack built out of cardboard. She crawls into it and suddenly we are transported to this young woman's interior world, a place where she meets her own doppelgänger in the form of a large doll who bears the same birthmark on her hip.
The best must be the freshest. The best sake also follows the same principle to brew in which it needs the best and freshest raw materials, and also the freshest virgin to make it? Visiting one of a Japanese pub that seems to offer the best warm sake, Mononobe tries to follow the steps to reproduce the same flavor. However, he suddenly found out that those flavors are actually a combination of sake, sweat, and other bodily secretions of a virgin. As his only daughter is not a virgin anymore, the only way to make the best sake without a pure virgin is...
For the film’s 10th anniversary, experimental filmmaker Kei Shichiri (DUBHOUSE, JAPAN CUTS 2015) presents an all-new sound and image remastering of his tour de force film (formerly translated as Before the Day Breaks). Based on a manga by Naoki Yamamoto, the film follows Aochi, who sleeps and sleeps but never feels like she has slept enough. Shichiri, who explores the limits of sound and image in his diverse body of work, presents a highly evocative dramatic film in which humans barely appear on screen. The story is told through voiceover, sound and visions of dreams and landscapes. Over the years, the film has gained fans, including contemporary auteur Kiyoshi Kurosawa, who compared the film to those by Jean-Luc Godard. -JAPAN CUTS: Festival of New Japanese Film
Pianist wo Machinagara
