N/A
The Tom Green Show is a North American television show, created by and starring Canadian comedian Tom Green, that first aired in September 1994. The series aired on Rogers Television 22, a community channel in Ottawa, Ontario, until 1996.
Utah and his girlfriend Opal, are drug addicts living on the streets in rural Ohio. After getting recruited by body broker Wood and offered treatment in Los Angeles, Wood takes Utah under his wing and introduces him to treatment center mogul Vin. Wood and Vin bring Utah in on their lucrative and illegal dealings, where saving lives comes second to the bottom line.
Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of looking -- at the edge of repulsion -- and the implications of making public an essentially private gesture. The film posits painting as a gendered, bodily act, whose location shifts continually within a context that's always changing. Images filmed in the studio are juxtaposed with footage of a construction barge along the Hudson. By examining both in relation to surface, the work paradoxically looks for what lies within, while questioning who and where we take ourselves to be.
Katy Martin paints directly on her skin, and uses her whole body to make marks with the paint. Bill Brand frames the action and its trace, in the process, linking painting and cinema. Swan's Island explores gesture in painting, and how it relates to the hand held camera. The film creates abstractions from the glistening blue paint that in turn evoke a seascape or a distant, yet intimate place. In its choreography, Swan's Island is a duet. The painted figure occupies space, and the camera describes that space. The person filming and the person filmed are moving as one, and yet they are separate, each an island. Seeing and being seen are inextricably bound with emotions of love and loss, longing and a sense of place.
"HANAFUDA observes the artist, Jasper Johns, and the master Japanese silkscreen printers at Simca Print Artists, as they created three different images from Johns USUYUKI and CICADA series. For me, the camera was a pretext for an in-depth apprenticeship. The finished film recapitulates my process of learning, gleaned over time, as I observed Johns and the printers at work. What I wanted to know was how one generates a work of art and, for that matter, what is art, what work is involved, and how do ideas as opposed to physical labor drive the decision making process. The films became a meditation on art and craft, as well as on the dialectic of mind and body, concept and actual work." -Katy Martin.
Rob, a socially awkward and lonely guy, attempts to track down the man who killed his wife — but not for revenge. He wants to make friends and find love along the way
A talented high school artist who's never played organized sports attempts to win a state championship basketball jacket and prove himself to his runaway father.
