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The main characters left their original professions of waiter and taxi driver and rented a thriving disco Brooklyn. However, their peaceful life is disrupted by the con man Kadlec, who has not forgotten that it was they who put him behind bars two years ago. All this time, all he's been thinking about is revenge. The formerly petty crook, with the help of his accomplices, his son-in-law Buresh and fellow prisoner "The Engineer", joins the drug trade and begins his revenge. Michal is arrested for the rape of a girl he has never seen in his life, and it doesn't take much for Tomas to figure out that Kadlec is behind it all. What Tomas also doesn't realise for a long time is that the sympathetic Ivana, who has joined their business and with whom he has fallen in love, also works as a luxury prostitute and was put into the business by Kadlec.
Shortly after the Velvet Revolution, everyone becomes an entrepreneur. The fields of business vary. Whether they are legal forms or, on the contrary, organized crime. Young student Nancy arrives in Prague for an internship. She has Czech roots, which is why she chose Prague. Together with journalist Egon and former police officer, now private detective Poldou, they search for a kidnapped 16-year-old girl. Her father is desperate, and even the police are unable to help him. Their search leads them to a Roma gang of prostitution and pornography traffickers who will stop at nothing.
Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.
The director Vít Klusák is shooting a film about his father, the well-known composer Emil Viklický, but the latter wants nothing to do with it. This creates a portrait without portraiture, since the director places a double in the role of his father, whom he finds through an advertisement published in newspapers. What is interesting is that Klusák does not know his real father personally, but only meets him (or fails to meet him) for the second time in his life while filming...
