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Kai Vaine

Kai Vaine

47 (1978-07-11)
N/A

Most Known for...

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The Year of the Wolf 2007 (6.1)

Sari is a young, beautiful and intelligent girl who is busy studying at university,but she suffers from epilepsy and has to face death on a daily basis. Mikko is hersomewhat older university teacher, who is tired of life, and who one day decides toabandon his wife, children and idea of a perfect life. Both characters have been tooscared to live their lives to the brim for too long. But they meet, and in spite oftheir prejudices and reserved natures, they manage to create a dramatic and movingmodern romance which confronts numerous taboos. While the imagery explores theboundary between life and death in a most poetic way, the odd couple's romance istold with both bite and humour. Society - be it in the shape of angry ex-wives,overprotective parents, conservative aunts or embittered colleagues - is doing whatit can to put a spanner in the works."
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No Thank You 2014 (4.9)

Heli Valkonen is desperately in love with her husband. But Matti is just not in the mood. He is only interested in playing computer games, dressed in worn out fleece pants. For him, a shoulder massage is the highest form of intimacy. When subtle hints, nice words and fetching clothes won't help, Heli resorts in direct, and increasingly direct action - in vain.
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Stars Above 2012 (6.3)

Stars above follows the stories of three women from the same family across three different decades. The main characters – Saima, Tuulikki and Salla – each lives in the same country house. Saima´s story takes place in the war time 1942, when Finland fought against Soviet Union, Tuulikki´s story in colourful year 1978 and Salla´s story in the present day. Each woman is between 30 and 40. This deep and beautiful, yet humorous film pictures the encounters between people and the possibilities for choice. How much does the time we live in affect us - and our ability to hold on to our dreams? What are those things which we pass on from one generation to the next? What changes, what remains the same? And to what extent do mothers´ choices, let alone their unspoken secrets, affect their daughters´ lives?