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Nytt på nytt is a Norwegian version of the British comedy programme Have I Got News for You, by the production company Hat Trick Productions. The programme is aired weekly on Friday nights. The show is a competition between two panels, where one panelist is permanent, and the other is a guest. The goal is to solve several tasks. The element of competition is largely ignored in favour of the witty remarks and the banter between panelists. The scores are generally overlooked, and have only a brief mention at the end of the show. The host is Jon Almaas, with permanent panelists Knut Nærum and Ingrid Gjessing Linhave. Linhave replaced Linn Skåber from the autumn of 2013. Since the start in the spring of 1999, it has grown to become the most popular weekly show on Norwegian television, with more than a million viewers every week.

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2PAC 4Ever 2003

Heartfelt interviews from his peers, behind the scenes footage, and concert clips show the side of Tupac that was far beyond the "thug" of the evening newscasts, the man who has become a cultural icon.

Sound of Rhyme 2023

Set in 1998, an activist got arrested and tortured by a group of unknown people.

If I'm Afraid This Movie Is Finished 2025

Ardi, a 21-year-old cinephile who prides himself on being immune to Indonesian horror films. Introduced by Kitti, an ambitious film producer, and Rossi, a creative director working on a new project, Ardi expresses his disdain for local horror films, which he believes are of poor quality and rely too much on cheap jump scares. Through interviews and interactions with his friends, including humorous moments shared while watching horror films together, Ardi's arrogance and skepticism toward the genre are evident. His friends challenge him to watch clips from some of the most terrifying horror films, hoping to make him experience fear. However, Ardi remains unimpressed by each clip shown, continuing to mock the genre's ability to frighten him. As the film progresses, Ardi's journey becomes not just a challenge of fear but a humorous exploration of his own biases and the nature of horror in contemporary Indonesian cinema.