Combining fictional and documentary modes, the film takes a critical stance toward Frankfurt's public sphere and urban redevelopment. Despite the serious formal and political concerns of the film, Kluge's heightened sense of the absurd safeguards a reserve of utopian optimism.
Documentary about the twin sister Jutta and Gisela Schmidt. In the late sixties the two women rebelled against middle class society as if they gave vent to a new kind of art. They became active in the underground communist party KPD and showed a heart-felt interest in the colour red, the aesthetics of the revolution. Soon, though, the twins quit their experiments in Germany. They left their husbands and went to Rome, where they met the fabulously wealthy Paul Getty III, and soon things got really out of hand.
If there is such a thing as a family memory that carries forward over the course of history, then it determines the actions of every generation. The director tells the story of the women in her family, set amongst Walchensee, hippie dreams and the commune surrounding Rainer Langhans.
