Jutta Tränkle

Jutta Tränkle

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Most Known for...

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Vaterland 2002 (4.5)

In Saxon-Anhalt, near the town of Zerbst, set away from busy roads, next to a deserted military landing strip, is the village of Straguth. An unimportant place. Lost in time. Or ahead of time. The film describes the people of this quiet place, in the past, the present and the future. A film like the digging of a hole. If one could dig in spiral form. And dig a black hole. An archaeological journey to landscape, people and things, traces of changing times and transition. Wide open landscapes and detailed drawings of people within. And on entering Otto Nathos’ modest bar, there is always talk of the war. The era of youth.
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What's Between Us 2015 (4.1)

After eighteen years of marriage, Alice finds herself confronted with the fact that her husband Frank feels more and more attracted to men. Not only Frank, but also she and their three children undergo an irreversible change.
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Im Glück (Neger) 2006 (7.2)

Over seven years, director Thomas Heise revisits five young actors from his 2007 Berlin staging of Heiner Müller’s “Anatomy Titus.” At irregular intervals, he asks them to film their everyday lives and articulate their hopes. The footage is deliberately fragmentary and non-linear: there is no smooth narrative or causal thread. Among them, 22-year-old Sven, whose apprenticeship, naval stint, dishonorable discharge, and failed relationships leave him convinced “nothing comes next”, becomes the focal point of this long-term observation. Invoking Müller’s own outsider declaration - “I am a Negro” - the film offers a stark, uncompromising portrait of aimless youth while Heise probes his role as documentarian.