In this documentary, Joachim Hellwig uses partly unpublished footage to shed light on a dark chapter of German history and shows the entanglements between the politicians' claims to power and the interests of industry and business in Germany from the beginning of the First World War to the end of the Second World War (1914 to 1945). The Nuremberg War Crimes and Industrial Trials served as the basis for this documentary.
Dresden old and new, in between photo documents from 1945/46, the time of resurrection, enriched by very personal commentaries by woman director Annelie Thorndike. Music for solo trumpet, composed by Reiner Bredemeyer and played by Ludwig Guettler, is set to this film.
Car parts found at a garbage dump, old mannequins, clocks and bicycle racks find a new purpose as installations in an exhibition.
