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London. A mysterious serial killer brutally murders young blond women by stalking them in the night fog. One foggy, sinister night, a young man who claims his name is Jonathan Drew arrives at the guest house run by the Bunting family and rents a room.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
Filled from front to back with stock footage taken from the Columbia serials "The Phantom-1943" and, primarily, "The Desert Hawk-1944", with John Hart and the always-dull Rick Vallin making less-than-adequate substitutes for Tom Tyler and Gilbert Roland, this Sam Katzman "production" finds the mighty jungle avenger and legendary Captain Africa - A "Phantom" rip-off that side-stepped the need to pay King Features another fee for using the character - pledging to see that the legitimate Arabian caliph, Hamid, is restored to the throne which a tyrannical rival has usurped. He is joined in this enterprise by adventurer Ted Arnold, wild-animal trapper Nat Coleman, and his assistant Omar and, to cover all bases
