A portrait of a wife's adorable support and selfless love during her husband's final days as he battle's dementia.
A woman must save her son from a zombie pandemic.
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Lila, a dedicated cleaning staff employee, runs an unofficial cafeteria with her friend Marcela. When she is officially promoted to direct it, tensions arise with Marcela that upset the delicate balance of the office after 30 years of camaraderie.
In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?
