Hazel Phillips

Hazel Phillips

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Love and Monsters 2020 (7.286)

Seven years since the Monsterpocalypse began, Joel Dawson has been living underground in order to survive. But after reconnecting over radio with his high school girlfriend Aimee, Joel decides to venture out to reunite with her, despite all the dangerous monsters that stand in his way.
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The Portable Door 2023 (6.512)

Paul and Sophie, interns at a mysterious London firm, become steadily aware their employers Humphrey and Dennis are anything but conventional – they are disrupting the world of magic by bringing modern corporate strategy to ancient magical practices.
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The Set 1970 (4.7)

Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.
Julia Phillips

Julia Phillips

1944-04-07
57 (2002-01-01)

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Taxi Driver 1976 (8.1)

A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
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Close Encounters of the Third Kind 1977 (7.348)

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
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The Sting 1973 (8)

A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
Julia Phillips

Julia Phillips

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Becoming (the Hunter, the Twerker, the Submitter) N/A

The human body is a principal subject of Julia Phillips sculptures, drawings, prints, and videos. And the body is at the heart of Phillips’ Becoming (the Hunter, the Twerker, the Submitter), originally a single channel video installation piece. A silent 1-minute 36-second performance video looped for our extended consideration, the black and while piece deploys text-on-screen while featuring a black female body (maybe two performers but only one at a time in the frame) whose face we barely glimpse, dressed in dark performance pants and shirt. Interspersed with shots of twerking moments, she shapes clay into sexually suggestive objects, mangles it, and chews it, all occurring in a minimalist set, stark yet softly lit.
Julia C. Phillips

Julia C. Phillips

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In the Deathrom 2020

Fletcher, a reporter from The New York Times, has been captured by members of a South American dictatorship and brought into a "deathroom" for interrogation. Based on the short story by Stephen King.