'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
In 1982, the eruption of the Chichonal volcano, in southern Mexico, buried the Zoque indigenous town of Guayabal. After 38 years, the owners of Nuevo Guayabal rebuild their lives while the volcano and the old village lurk under the brushwood. Trinidad, a poet born on the day of the eruption, has dreams which spark a collective effort in his community to unearth their old home.
After the incomprehensible death of her only son Jorge, Carmen discovers that the relationship of deep friendship that they had developed after abandoning his father kept secrets. No one answers the mystery behind what could have been a suicide, but they draw a contradictory portrait that forces her to face her own blurred reflection.
