A feature film that intertwines a handful of short fictional stories marked by the anguish that the death of loved ones always causes: two women who miss the same man, an old man who returns to the place where he lived experiences that left a mark on him in his youth, a rural town invaded by its own memories, and a mother who reunites with a son whose life hangs in the balance after insisting on unnecessary distancing.
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It is a film about the deep Brazil, not Brazil as a society, state or experience; it is a film about a geological, prehistoric and pre-logical Brazil. The adventures of the Caribbean monster, its wanderings along a virgin beach evoke, before Brazil, the artistic wanderings of a filmmaker in constant friction and, why not say, struggle against the mommy-daddy cinema, produced without taste, without joy and without adventure.
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
