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Gypsy Romeo and Juliet: A boy and a girl from rival families fall in love.
Upon arrival in Barcelona, Miguel is fired from his job as a sailor and the financial problems which he will face from that moment will gradually introduce him into the world of crime. The little money they his wife Ines had previously saved , thanks to her hard work, will be quickly squandered by him.
Arcos de la Frontera, in the early nineteenth century, when Napoleon's troops invaded Spain. In house Alvareda they are preparing the wedding of the daughter with a young man named Ventura. But the wedding is not held because Ventura escapes after killing a French soldier. Years later he returns and resumes his relationship with his fiancee. However, a great secret weighs in his heart, he feels an irrepressible passion for Rita, the wife of his brother in law.
In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.
