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In Argentina, between 1982 and 1985, the Puccios, a well-established family of San Isidro, an upper-class suburb of Buenos Aires, kidnap several people and hold them as hostages for a ransom.
In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.
A group of friends order a pizza and have a philosophical talk about not paying for it.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
A documentary on the process of production of Diego Rivera's Detroit Industry Frescoes and the murals' agitated social context during the years of the Great Depression. The documentary's remarkable archival montage explores the links between industrial labor, public art, and industrial cinema under the exigencies of Fordism.
Autobiographical documentary by Juan De La Mar. Join me to plant myself back to live.
El VIH se enamoró de mi (HIV Fell in Love With Me) tells the story of a woman with HIV embracing her sexuality and reconnecting with her pleasure. Filmed with an erotic aesthetic, the video reflects a pursuit towards sexual justice and autonomy for women living with HIV. Commissioned in 2024 as part of Red Reminds Me..., a program of seven videos reflecting the emotional spectrum of living with HIV today.