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The shadow landscapes on hard plaster secure the days.
In 1958, shortly before the communist revolution, a tourist film was made to promote Cuba. In 2014 the filmmakers revisited the same locations. The comparison between past and present through identical camera angles continues on the soundtrack, evoking a country twice in a state of transition.
Through images of kudzu-covered forms, photographed in black and white, hand-processed 35mm CinemaScope and radiating with the luminance of early cinema, this ode to the climbing, trailing, and coiling species Pueraria lobata evokes the agricultural history and mythic textures of the South, while paying tribute to the human capacity for improvisation.
A boy named Connor begins to be stalked by a mysterious entity which targets him for an unknown reason. As the stalking intensifies, Connor attempts to find out what exactly this entity is, all while his mental health begins to deteriorate and he grows more anxious, and begins closing himself off from friends, family and the world, which all eventually culminates into a confrontation between Connor and the mysterious entity known as "The Stalker".
