Charles Joseph Villanueva

Charles Joseph Villanueva

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N/A N/A (8.212)

Mysteriously transformed into mini versions of themselves, Goku and his friends travel to the Demon Realm to uncover the truth and find a cure.
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Pretty Cure All Stars F 2023 (8.143)

Pretty Cure All Stars F is a Japanese magical girl anime film and a part of the Pretty Cure franchise, celebrating its 20th anniversary.
Joseph Villanueva

Joseph Villanueva

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I Love Lizzy 2023 (10)

It follows the story of a seminarian who meets and falls in love with Lizzy.
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Anino: Kabiling Katalagman 2008

This is a story of a girl unwilling to embrace her family’s grip on witchcraft.
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The Oskars Fantasy 2023

Desperate to win an award, a producer hires real supernatural monsters to act in his horror film — but their fee may not be the bargain he thinks it is.
José Pedro Villanueva

José Pedro Villanueva

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Hatchet for the Honeymoon 1970 (6.5)

A madman haunted by the ghost of his ex-wife carves a corpse-laden trail.
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Fantasía... 3 1966 (4.5)

The film is an adaptation of three fairy tales classics of children literature. "The Maiden of the Sea" tells the story of Coraline, a mermaid who wants to be human afte she falls in love with a Sailor Prince. "The 3 hairs of the Devil" tells the story of Tomasin, a young man of humble background, which a seer had a presentiment that he would marry the daughter of the king, who must perform a series of tests to avoid death, and marriage the princess is accepted by the king. "The Wizard of Oz" tells the story of Sylvia, a girl who get lost in the woods with her dog Toto, and along with her friends The Scarecrow, The Tin Man and the Cowardly Lion, have been snatched the brain, heart and courage, respectively. They go the Emerald City to request help from the Wizard of Oz adapting three children’s stories: , The three hairs from the devil and The Wizard of Oz.
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Miró, l’altre 1969 (4.2)

As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.