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Sepp Strubel

Sepp Strubel

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Augsburger Puppenkiste - Am Samstag kam das Sams zurück 1980 (7.3)

Mr. Taschenbier hopes that Sams, that little cheeky, gluttonous, yet lovable green creature with the red hair and blue dots on his face, will come back soon and stay with him forever, once the wishing machine has been set in motion. But, on Sunday the sun must shine, on Monday Mr. Mohn must come to visit, on Tuesday Taschenbier must go on duty, Wednesday is just there, there must be the middle of the week, but Thursday is difficult, because there must be thunder, and Friday must be a day off. But one day it works out, the Sams is back and the wishing machine works. But now one disaster after another happens.


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Augsburger Puppenkiste - Die vergessene Tür - Die Wetterorgel 1986 (9.5)


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Augsburger Puppenkiste - Hard times for Ghosts 1987 (5.75)

What happened to mankind? They stopped being afraid of ghosts and now a family of ghosts is afraid themselves. And if that was not enough, a disco is planned to be build above their crypt


Joseph Strub

Joseph Strub

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In Praise of Love 2001 (6.6)

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.


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JLG/JLG: Self-Portrait in December 1995 (6.4)

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.


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Gabrielle 2005 (5.6)

Wealthy but arrogant writer Jean Hervey comes home one day to find that his wife, Gabrielle, has left him for another man. Realizing her mistake, Gabrielle returns, and the pair begin a merciless analysis of their marriage as the relationship comes undone.


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