Josef Jelínek

Josef Jelínek

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N/A

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Jojo Rabbit 2019 (8.002)

A World War II satire that follows a lonely German boy whose world view is turned upside down when he discovers his single mother is hiding a young Jewish girl in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler, Jojo must confront his blind nationalism.
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Army of Thieves 2021 (6.827)

A mysterious woman recruits bank teller Ludwig Dieter to lead a group of aspiring thieves on a top-secret heist during the early stages of the zombie apocalypse.
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Spaceman 2024 (6.705)

Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship.
Josef Jelínek

Josef Jelínek

75 (1949-10-19)
Prague, Czechoslovakia [now Czech Republic]

Most Known for...

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Kameňák 2003 (3.9)

Risque jokes acted out in short skits.
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Babovřesky 2013 (4.1)

After the centenarian Trudy’s death, her inheritors refuse the scheming mayor’s bid to buy her lakeside estate for a car lot and instead set about renovating the allegedly haunted villa. Their plans, already complicated by the village busybodies led by the all-knowing Horáčková, go wrong when a youthful, sporty new priest arrives and challenges the community’s expectations.
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Helluva Good Luck 1999 (5.5)

Dora, a lazy and evil woman, is in love with her servant, Hannes. Hannes, however, loves her sister-in-law, Margareta. When Dora learns about this, she vows revenge against the couple.
Josef Jelínek

Josef Jelínek

N/A

N/A

Most Known for...

Movie Picture

Pavučina 1987 (6)

Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.