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The film follows the birth of Jorge Mautner up to his 17 years. He was born in Brazil shortly after his parents fled the Holocaust. Raised by a nanny who introduced him to Candomblé, Mautner became a precursor of the Tropicália, contributing to the construction of the identity of Brazilian music.
Jorge Bodanzy appeals to the emotional memories of the period he spent studying at the University of Brasilia to show us a tableau of youth in the 1960s, with their dreams and expectations, their hardships, and interrupted projects.
Joana suffers from a double personality and is obsessed with Anna Karenina, the character from Tolstoy's novel. Embodying the myth of Narcissus, Anna K. is the image and resemblance of Joana, stronger and more seductive.
