Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
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In this emotional story, an individual tired of living repressed accepts her true identity as a transgender woman, however, she decides to hide it from her partner and when she discovers the truth, both are forced to face society's prejudices and reevaluate their relationship. Together, they will struggle for acceptance and happiness in a world that is often unkind to those who are different.
A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.
