In 1975, Thomas Harlan's crew filmed Torre Bela's homestead occupation, in the center of Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary period: in which way did Harlan interfered in the events that seems to naturally develop in front of the camera? What was the impact of the film on the lives of the occupants and the memory of that period?
It's Sunday, day of rest. At the river, the father fishes and drinks, the mother sleeps, the daughter plays...
Portugal, 1968. Salazar, the longest-serving fascist dictator, falls from his chair and suffers a stroke. Returning to his Palace to recover from illness, he is no longer President. No one reveals this him: neither his loyal housekeeper, nor his hard-working maids, nor his doctor. Does Salazar want to overcome death and perpetuate his power? How can he stay sane in that hallucinatory Palace?
