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In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Shot with no dialogues or sound effects, the film relies on intertitles to convey the essence of the dialogues, and it requires greater rhythm and expressivity from its actors; to this end, Alves recreates the expressionist aesthetics of silent cinema.
