An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
A homage to painter Amable Arias. Through painted-on-film visuals, the film evokes the atmosphere of daytime in an imagined garden—paired conceptually with his earlier short Paisaje inquietante – Nocturno which reflects the nocturnal counterpart.
