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Lampião, o Rei do Cangaço 1937 ( 8.8)

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)

The Last Cangaceiros 2011 ( 8)

For more than 50 years, Durvinha and Moreno hid their real identity even to their own children, who grew up thinking their parents' names were Jovina Maria and Jose Antonio Souto. They had belonged to the gang of the most famous Brazilian bandit's leader. The truth was revealed when Moreno, at the age of 95, decided to share the weight of memories with his children and meet alive relatives, including his first child. The 'cangaceirismo' was a form of 'social banditry' born in northeastern Brazil in the early XX century in a scenario of extreme poverty, violence and anarchy.

The Red Trinket 2021

The story of a crazy passion and an heinous crime is also one of the first depictions of homosexuality in Portuguese literature.

The Donkey-Eared Prince 1980

In the time of King Leonardo, a war and the plague that accompanied it depopulated Traslândia. Ignoring these tragic events, Queen Isménia, Princess Camila and lady-in-waiting Narcisa, coming from a distant kingdom, arrive in Traslândia, when the war approaches the end.

La casa de los Martínez 1971 ( 1)

El divorcio que viene 1980 ( 6)

Two Dollars 2017 ( 7.2)

After a week of leave, Sylvie is back at the Quebec company where she has been an exemplary employee for more than 15 years. She is then requested to attend a bizarre meeting.

Abelardo 2012 ( 5)

Abelardo is a documentary about José Antônio da Silva Ballestero who has been a projectionist for 53 years at cinemas on the west border of the state of Rio Grande do Sul, Brazil. José Antônio learned how to do the work with his father, who also was a projectionist and encouraged him to work in the projection room since he was a boy. The film tells the journey of a humble man showing his simple passionate view of the cinema. The memories, the films and opinions are revealed through a very spontaneous and amusing language. The projection problems, when the TV started, the VHS, DVD, pirate, internet, and the new technology that is coming to replace the old way of projection. Abelardo captivates people with his sincerity and friendliness. This is a nice story of the difficult job of a projectionist.