Habeas Corpus 1986 ( 4.7)

Experimental short film that shows four days in the life of a man clandestinely kept in captivity. The images of his naked body alternate with those of a happy moment on a beach and with those of his captor, who spends his time looking at bodybuilding magazines.

Butterfly 2015 ( 6.6)

A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.

Standard 1990 ( 4.8)

Does someone remember that project of López Rega’s which, in 1975, thought up the construction of a Great Homeland Altar where all mythical figures of Argentine history could be in the same building? From San Martín to Perón on his pinto horse. From the Billiken stamps of our childhood to Libertad Leblanc’s tits of our teenage years. All clichés of Argentine-ness gathered under one roof. But the construction delays. Workers entertain themselves with their own masturbatory drives. Or is it that Argentina is an impossibie construction? Always about to begin. always displaying great projects, great plans that never come to fruition. A second-rate country that hides its fundamental vacuity behind monuments. in Acha’s cinema, second-rateness is exposed, shown in all its lying pomposity.

A Face Full Of Kisses 2020

Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.

Marea 2024

Cara de Diablo 2021

Since the Spanish conquest up until the revolution, the eternal battle between good and evil has been portrayed in Mexican dancing traditions. Felipe Horta has been working for more than 30 years, like many other artisans, on creating masks and wardrobes that give their identity to these traditions in the state of Michoacán.