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Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
This cinematographic work was taken from the theater to the screen after it was premiered on June 21, 1924 by the Adams-Nieva company at the Municipal Theater and withdrawn by the "Junta de censura" (Censorship Board). Only some journalistic testimonies of its existence remain.
