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Taking place on the last day of the Creeper’s twenty-three-day feeding frenzy, as the skeptical Sergeant Tubbs teams up with a task force hellbent on destroying the Creeper for good. The Creeper fights back in gory glory as its enemies grow closer than ever before to learning the secret of its dark origins.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
Desperate for a job to help him support his family, Jim Norman takes a position teaching high school in the town where his brother was murdered in front of him by teenage bullies twenty-seven years before. The teens who committed the crime are long dead, but now the kids in Jim's new class keep dying and being replaced by new students who look like the deceased hoodlums.
In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.
Filmmaker Paul Puglisi traveled across the US to make sense of the controversy surrounding of one of America's most enduring symbols - Christopher Columbus. Conversations with cultural leaders, historians, activists, authors and educators bring to life the perspectives that molded a 15th century sailor into a genocidal conqueror, a messenger of Christ, a cultural icon and a patriotic hero in a land he never knew existed.
