Developed from research into early Japanese autopsies, particularly the striking water colours of Aoki Shukuya. The abstract, celebratory depiction of the human figure and its place within physical space forms the basis of this animation.
Produced as an ancillary to Shinnin Kawaguchi, the animation focuses on the figures place within the surrounding environment, here depicted as the landscape, a common structure used in early anatomical books such as the Kaishihen.
A meditation on the dissolution of boundaries between the human form and its surrounding environment.
