Jokūbas Čižikas

Jokūbas Čižikas

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Aphotic Zone 2022 (6.2)

The aphotic zone is the deep and dark region encompassing most oceanic waters, into which light hardly penetrates. The Lithuanian artist and filmmaker Emilija Škarnulytė has made a hypnotic film, somewhere between documentary and imaginary account, in which the oddness of the underwater world is confronted with the sonic landscape of a distant civilisation.
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Shokouk: A Cosmicomedy in Four Acts 2022 (7)

A transhistorical hybrid documentary that traces a polyphony of characters, sites and encounters related to infrastructures of space travel and cosmic imaginaries. Following a vertiginous narrative connecting various cosmic machinations from the 12th century Persianate world to the Baikonur Cosmodrome in the present moment, the film weaves historical facts and archival fabulations, and questions our common perceptions of time and space.
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Absolute Dating 2021

Emilija Škarnulytė’s immersive installation is inspired by the Kaunas Tadas Ivanauskas Zoological Museum’s displays. For her performative, cinematic piece she brings together the poetic and scientific to create a sensory experience that investigates the philosophical concept of Deep Time and events on a geological scale. This story of survival through time, unfolds with the choreography of artificial lights and sounds. Škarnulytė’s work evokes time travel and can be understood as a form of archeology of the future. Here, she investigates the unknown, including pre- and post-human evolution and adaptation, the current intersecting structures of power and the devastating effects of climate change.
Jokubas Čižikas

Jokubas Čižikas

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