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John Yuan

John Yuan

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Observe and Report 2009 (5.44)

Mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective is recruited to close the case.


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The Greasy Strangler 2016 (5.626)

Ronnie runs a Disco walking tour with his son, Brayden. When a sexy woman takes the tour, it begins a competition between father and son for her love. It also signals the arrival of an oily strangler who stalks the streets at night.


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N/A N/A (7.5)

Agent Phil Coulson of S.H.I.E.L.D. (Strategic Homeland Intervention, Enforcement and Logistics Division) puts together a team of agents to investigate the new, the strange and the unknown around the globe, protecting the ordinary from the extraordinary.


Ma Chung-Yiu

Ma Chung-Yiu

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Love on Delivery 1994 (6.995)

Ho Kam-An is a lovestruck dim sum delivery boy who falls for a beautiful judo student. After being humiliated by her boyfriend, Ho Kam-An seeks the services of an aging master who teaches him a half-assed style of kung fu, "Karate Kid"-style.


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Human Lanterns 1982 (6.2)

A psychotic craftsman pits two rival Kung-Fu masters against each other while designing special lanterns from a disturbing source.


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Legend of the Dragon 1991 (6)

Chow plays a naive young kung fu student who leaves his rural home on a small island to find his fortune in Hong Kong under the dubious guidance of his uncle who cons him into using his natural skills as a snooker player for financial gain. This film also starred six-time world snooker finalist Jimmy White as Chow’s final opponent.


John Yau

John Yau

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The View from Avenue A. 1985

Shot in NYC in 1984 and commissioned as a portrait of the Dutch expatriate artist Anton van Dalen, The View From Avenue A is also and more interestingly and profoundly, a portrait of another disappearing place, in this case, the dying (or revivifying, depending on your point of view) lower east side of Nest York. Deutsch brilliantly charts a history of a lost place, here not just a physical land- scape, but a landscape of the mind, that is, the artistic "bohemia" of the 60's and 70'e, changing soon to be completely gone, crushed, inexorably, by history." —Steven Simmons


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