MJ Whelan

MJ Whelan

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Aggregat 2024

Past and present collide in this dreamlike tour through a former Nazi rocket factory and forced labor camp, which is now a museum.
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From the Mountain 2014

A commentary on humanity's increasingly questionable relationship to the natural world. Imagery of wolves and wolfhounds sits in contrast to industrial landscape tableaus, including an abandoned missile base.
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The Reserve 2024

A journey to a remote corner of Ireland where an invisible border delineates a reserve that is both a refuge for life, and a beacon of environmental responsibility. Weaving together experiences of zoology, spirituality, astronomy, music and performance 'The Reserve' joins together a diverse tapestry of animals and people who call this place home.
John Whelan

John Whelan

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Ride with the Devil 1999 (6.349)

Ride with the Devil follows four people who are fighting for truth and justice amidst the turmoil of the American Civil War. Director Ang Lee takes us to a no man's land on the Missouri/Kansas border where a staunch loyalist, an immigrant's son, a freed slave, and a young widow form an unlikely friendship as they learn how to survive in an uncertain time. In a place without rules and redefine the meaning of bravery and honor.
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Love & Rage 2000 (5.1)

Agnes MacDonnell, a strong and self-confident Englishwoman, owns a large estate on an island off the west coast of Ireland. When she begins a passionate but dangerous affair with her new estate manager, Agnes wages a desperate struggle to dominate this charismatic but destructive man.
John Whelan

John Whelan

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1492: Conquest of Paradise 1992 (6.28)

1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.
John Whelan

John Whelan

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Listen Up N/A

Traversing through Sydney’s music scene is Liam Whelan, and it is clear that he has a strong passion for performing. However the audience sharing this same passion and enthusiasm for live music is never guaranteed, and the monetary incentive can often times be very low. It can also be disheartening to have to perform cover songs to keep the audience's attention when you have a range of your own music that you would also like to perform. But does this affect him enough to stop doing what he loves? Is the pursuit to be creative and write and perform music worth it when the rewards can be so small? Do the high points of sharing music with a passionate audience outweigh the lows of performing to a pub of disinterested patrons?