John Inwood

John Inwood

N/A

N/A

Most Known for...

Movie Picture

N/A N/A (8.013)

In the unreal world of Sacred Heart Hospital, John "J.D." Dorian learns the ways of medicine, friendship and life.
Movie Picture

Space Cadet 2024 (5.5)

Tiffany "Rex" Simpson has always dreamed of going to space, and her "doctored" application lands her in NASA's ultra-competitive astronaut training program. In over her head, can this Florida girl rely on her quick wits, moxie and determination to get through training and into the cosmos before she blows her cover?
Movie Picture

Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend 2020 (6.426)

Kimmy's a famous author and she's about to marry a prince! But first she has to foil the Reverend's evil plot. It's your move: What should Kimmy do next?
John G. Inwood

John G. Inwood

N/A

N/A

Most Known for...

Movie Picture

N/A N/A (6.074)

When a one-hit-wonder girl group from the '90s gets sampled by a young rapper, its members reunite to give their pop star dreams one more shot. They may be grown women balancing spouses, kids, jobs, debt, aging parents and shoulder pain, but can't they also be Girls5Eva?
John Inwood

John Inwood

N/A

Most Known for...

Movie Picture

Two-Way Mirror Cylinder Inside Cube and a Video Salon 1992

This 1992 video highlights Dan Graham's installation Two-Way Mirror Cylinder Inside Cube and a Video Salon, originally created as part of the Rooftop Urban Park Project at the Dia Center for the Arts in 1991. The video documents and further explores Graham's investigations of the urban environment, from Abbe Laugier's theory of the Rustic Hut to Parisian shopping arcades, wintergardens, museums, Disneyland and corporate office buildings. For the Dia Center in New York City, Graham developed an environment, analogous to a small-scale urban park, which integrates aesthetic and utilitarian functions, and spatial and visual experiences, bringing the landscape into the roof and extending the roof into the landscape. Graham writes: "The pavilion structures are psychologically and socially self-reflective. There is a dialectic between the perception of oneself and other bodies perceiving themselves, making the spectator conscious of him or herself as a body.