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In the 50-minute documentary, John van den Heuvel provides insight into the six liquidations that Holleeder is suspected of. At the crime scene, he reconstructs the underworld murders on the basis of police files and his own investigation. In the interviews, April van der Bijl and Sonja Holleeder explain why they are convinced that Holleeder is responsible for the murders of Thomas van der Bijl and Cor van Hout.
Penetrating report in which John van den Heuvel travels to the Challapalka prison in Peru where he visits Joran van der Sloot. John van den Heuvel managed to enter the prison with a hidden camera. In the covert conversation, Van der Sloot makes some very remarkable statements about the fate of Natalee Holloway, his stay in prison, his fatherhood and his secret lender to whom he also confessed everything. The murder of Stephany Flores and his offer for a deal with the judiciary are also discussed.
Nobody likes self-centered realtor Oren Little, and he prefers it that way. He's deliberately mean to anyone who crosses his path and wants nothing more than to sell one final house and retire. His life turns upside-down when his estranged son drops off a granddaughter he never knew existed. Suddenly left in charge of her and with no idea how to take care of a child, he pawns the girl off on his neighbor, Leah -- but he eventually learns how to open his heart.
After discovering a mysterious camera that transports him into fleeting moments of the past, a grieving photography student attempts to rewrite a painful history—only to uncover the blurred line between memory, art, and reality.
To commemorate the first century of American filmmaking, the American Film Institute embarked on a celebration of America's greatest movies from the first 100 years of American cinema — 1896-1996.
A murder is committed in the building where Aurélia Maudru, inspector of the judicial police in charge of the investigation, lives.
