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John Elvis

John Elvis

33 (1992-01-10)
Fayetteville, North Carolina, USA

John Elvis is an American film and television actor of Korean and Mexican descent.

John Elvis photo
John Elvis photo

Most Known for...

Movie Picture

N/A N/A (7.16)

A small town is suddenly and inexplicably sealed off from the rest of the world by an enormous transparent dome. While military forces, the government and the media positioned outside of this surrounding barrier attempt to break it down, a small group of people inside attempt to figure out what the dome is, where it came from, and when (and if) it will go away.


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Support the Girls 2018 (6.08)

Lisa Conroy is general manager at a highway-side 'sports bar with curves', Double Whammies. She nurtures and protects her employees fiercely - but over the course of one trying day, her optimism is battered from every direction. Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?


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N/A N/A (7.13)

The story of Bass Reeves, the legendary lawman of the wild West, is brought to life. Reeves worked in the post-Reconstruction era as a federal peace officer in the Indian Territory, capturing over 3,000 of the most dangerous criminals without ever being wounded—and is believed to be the inspiration for The Lone Ranger.


John "Elvis" Schroder

John "Elvis" Schroder

N/A

N/A


Most Known for...

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X-Ray Visions: A Look Inside Portland's Legendary X-Ray Cafe 2000

From 1990 to 1994, ground zero for the all-ages, alt-rock scene in Portland was the X-Ray Cafe. Brought to life and operated as a flight of fancy by Benjamin Arthur Ellis and Tres Shannon, the X-Ray was both a critical venue for emerging local and touring bands and hang-out for an amazing array of outcasts, street kids and creative eccentrics of all stripes. When band such as Crackerbash, Sprinkler, Poison Idea, Hell Cows, Smegma, Dead Moon, Hitting Birth, Beat Happenings, Cake, Hole, Green Day or the Spinanes were not on stage, anything from poetry to Spanish lessons to a sewing circle might have connected and entertained the customers. Whether shelter, social or information hub, or music mecca, the X-Ray represented and remains, in age-old fashion, a key chapter in many Portlander's coming of age. Ellis's film, loaded with interviews and performance clips, is a spirited valentine to the craziness and glory of days gone by and to the many who called the X-Ray home.


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