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Joan Kaye

Joan Kaye

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Claudine 1974 (7.1)

Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.
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N/A N/A (7.4)

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.
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Thieves 1977 (3.7)

Martin and Sally Cramer grew up on the hardscrabble Lower East Side, where Sally still teaches; meanwhile, Martin's the head of a fancy private school. Romantic dalliances with others convince them that they're meant to be together despite their differences, a decision that's cemented, oddly enough, by an over-the-top argument that draws the police.
Kaya Joan

Kaya Joan

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Part Three 2019

Through a mixture of animation and video assemblage, Part Three explores a dreamscape world, parallel to our own. A human enters this world through a portal. In this stage of their journey, they navigate grief, memory and healing. This new media work includes poetic story-telling told through the narrator that speaks about gender, describing their own relationship to land, medicine and the beings which inhabit these spaces.
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Archive of a Trickster 2022

“Archive of Trickster” weaves together physical and digital archival imagery relating to projects of urbanization at the mouth of the Humber. Working with personal interactions with the land as an archive, this film explores the past, present and future of the river.