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A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
A film motivated by anger at the frivolity with which sex is treated in cinema. On the aquarium screen, an attempt is made to materialize thought.
A snobbish housewife is determined to climb the social ladder, in spite of her family's working class connections and the constant chagrin of her long suffering husband. Portuguese remake of the British classic Keeping Up Appearances.
Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.
A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.
A mysterious shadow unveiling a female figure walking naked towards us in the desert. In another sequence, the same woman speaks on the phone, talking about the end of the world. In a third moment, a couple prepares breakfast in their apartment, with the same woman from the previous sequences embracing a baby. What will these three narrative moments have in common? What is the relationship between them? Everything and nothing. Is the answer in the woman’s emotional words on the phone? Or in her helpless expression when walking naked? Or in the happiness she seems to find in the domestic routine? Perhaps the charm is really not in trying to decipher, but in getting lost in this visual and impressionistic poem, this shake that slowly expands in our senses. Max Planck, one of the founders of the ancient quantum physics theory, said that energy has a discontinuous structure and can only exist under the form of fragments. These are the fragments that hide here an ethereal promise.
The saga of Severino, a poor guy living in the back country of Northeast Brazil, leaving for the big city of Recife, in search of a better life.
The Brazilian poem 'Morte e Vida Severina', a masterpiece of João Cabral de Melo Neto, comes to life in an animated version directed by Afonso Serpa.
The story of Severino, a man who tries to escape the misery and the drought prevailing in the rural backcountry of the Northeast of Brazil. He heads for Recife, passing through desert and forest regions, expecting to find a better life.
Comedy/horror short film shot during a 4-day workshop of filmmaking at 2007's MOTELx Lisbon International Horror Film Festival.
After a tragedy, Lilian Lins discovers magical powers from an ancient lineage and asks her friends for help to discover the secrets of this ancient lineage.
A girl finds a video of her father talking to his friends about the future around a campfire. She shows the video to her friend, so they can watch it together. The atmosphere of the video is heavy and tense, in addition to a mysterious figure starting to appear in the video. As they watch, the girls discover the girl's father and her friends' fears and expectations about the future.
Oscar is shipwrecked
In an old mansion, an old lady and her young goddaughter prepare to receive a mysterious visitor who will fulfill an old wish.
On the outskirts of the city of Nossa Senhora da Glória, in the hinterland of the state of Sergipe, Northeast Brazil, we will find an unexpected open-air sculpture park. This unusual “art gallery” is the result of the work of Cícero Alves dos Santos, known as Véio, a farmer, artisan and sculptor. In it, Véio installed his Nation, his family, made up of common and mythological beings, animals and extraterrestrials.
The life and work of deputy Ulysses Guimarães based on news reports, interviews and testimonies.
The documentary offers an overview on the transformations in the Brazilian socioeconomic process from the 30s to present day, with a group of economists and historians giving their commentary about the topics.
An analysis of the ideas of economist Celso Furtado and his participation in several projects developed in Brazil from the 1940s onwards. Through testimonies from intellectuals and period images, an overview of Brazil's recent history is formed.
