A film about the egocentric and superficial youth and the evermore consumerist society.
Vasco is exposed to his brother's extremist ideals, expressed through the National Socialist Black Metal genre. However, Vasco doesn't identify with the movement's nature and hides from his brother an essential aspect of his life, in order to avoid a fraternal break, while tracing the path of self-acceptance.
A journalist, in the diligence of reuniting informations to complete the biography of a missionary priest that travelled Africa, visits the village and the abandonned house in which he lived and died. Once there, he acknowledges that not even his scepticism will free him from the forces that persist there.
