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João Carlos Gorjão

João Carlos Gorjão

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Most Known for...

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Chronicle of Good Hoodlums 1984 (5.667)

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!


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The Ghosts of Alcacer-Kibir 1976 (5)

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.


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Nós Por Cá Todos Bem 1978 (6)

With a strong documentary element, "Nós Por Cá Todos Bem" mixes professional actors with the inhabitants of a small village, telling the story of a small film crew in a village living day to day.


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