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Jiří Sovák

Jiří Sovák

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Marecek, Pass Me the Pen! 1976 (7.68)

This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.


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How to Wake a Princess 1978 (6.407)

At long last, King Dalimil and Queen Eliška have produced an heir, Princess Růženka. Consumed with envy, Eliška’s sister Melánie casts a curse: On the day Růženka turns seventeen, she will prick her finger and fall into a deep sleep together with the entire kingdom.


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I Killed Einstein, Gentlemen 1970 (5.9)

This futuristic science fiction comedy features an atomic bomb blast that causes women to grow beards and lose the ability to have children. A summit meeting is held at the United Nations, with the proposed solution of building a time machine. The decision is made to travel back in time and murder Einstein, with the hopeful result being that without the noted mathematician's research there will be no atomic bombs.


Jiří Sova

Jiří Sova

62 (1962-11-03)
Prague, Czechoslovakia [now Czech Republic]


Most Known for...

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The Smoke 1991 (6.7)

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.


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Dva na koni, jeden na oslu 1987 (7)

The musical version of the successful play of Oldřich Daněk was transferred to the screen by director Jiří Sequens in 1986. It takes place in the 14th century in Bohemia during the reign of King Wenceslas IV. Heroes of the story are three mercenaries who always fight on the wrong side and are always beaten, but they are moral winners of all conflicts and skirmishes.


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Pražská 5 1989 (7.1)

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.


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