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Strife and disaster befall a poor Mississippi family during a two-day trip by horse and wagon to bury their deceased matriarch.
A friendship between two young mothers results in murder when one develops an attraction to the other's boyfriend.
While researching an urban legend on feral children, three friends find themselves trapped in an abandoned high school, where they are confronted with an evil more sinister than the legend itself.
Leon Kennedy and two other police officers find themselves trapped on a farm outside Raccoon City, fighting for their lives against an undead horde.
How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.
