Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.
Casablanca, Morocco. A trio of women, with the police on their tail, embarks on a long escape that takes them across the rugged red terrain and flower-filled valleys of the Atlas to finally reach the Atlantic coast.
From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.
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How do two of the new generation’s most passionate designers, Nienke Hoogvliet (1989) and Dave Hakkens (1988), use design to tackle the world’s biggest problems?
