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Jeremy Moss

Jeremy Moss

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Jeremy Moss photo
Jeremy Moss photo

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In Marfa 2016 (8.8)

Created in-camera in Marfa, TX on a freezing day in January on expired film with my Bolex while the sun was setting.


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The Blue Record 2013

Combining hand-processed 16mm imagery, a deconstructed lyric essay, and an ambient score by composer Vicki Brown, The Blue Record meditates on the pastime of ruin-gazing and its application across a wide range of aesthetic experiences. Informed in part by the work of Alain Resnais, Walter Benjamin, and the Romantic poets, The Blue Record is a collaborative study of what happens when the process of decay is arrested and ruins become commercial entities. Shot on location at Eastern State Penitentiary in Philadelphia, the film is at once an immersive and Brechtian examination of the experience of destruction as an aesthetic pleasure.


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I, Apostate 2018

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.


Jeremy Mosser

Jeremy Mosser

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Infectious Skatillium 2004

In the summer of 2004, a young cadre of skaters battles the pressures of growing up in the mountain town of Steamboat Springs and containing the infection of their commitment to skating.


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