Detention 2019 ( 6.748)

In the 1960s, two classmates go looking for their missing friends and teachers, all of whom took part in an illegal book club, only to come face to face with ghosts and deformed monsters that have taken over their school.

We Are Champions 2019 ( 6.9)

Bonded by blood but divided by basketball, two brothers become rivals on the court. This exciting sports film balances drama on and off the court.

See You at the Rally 2023 ( 3.2)

This film is a film about the relationship between Chou Ta-Long and his son Dong, the transformation and growth of the decadent father's attitude towards life. Jun, a genius rally driver who has just been released from jail, accidentally comes into their life. A new journey is about to start. The spirit of rally is persistence and determination. This time, can they overcome the obstacles and finish the game? It’s a life story about family, friendship and redemption.

The True Story of Ah Q 1981 ( 6.8)

Based on the 1921 novella of the same name by one of China's most well-known modern writers, Lu Xun (Lu Hsun), the True Story of Ah Q is set during the 1911 revolution. Ah Q is a lowly peasant who wants to rise above his class, or at least get out of his grinding poverty. At first he thinks the way to do it is by marrying into a better station in life; later, he joins the revolution as he feels that is the only way he and others like him can transcend poverty. In this film version of Lu Xun's story, the character of Ah Q might benefit from a more rounded humanity to make him appealing to those not familiar with the harsh environment in China before the 1911 revolution.

New Year Sacrifice 1956 ( 5.6)

In a mountain hamlet in eastern China, a poor woman faces trial after trial. Sold into marriage as a child, she is left a young widow and enslaved by her mother-in-law, who sells her to a poor peasant. Her second marriage turns out to be happy until fate takes away her husband and son. Now seen as a bearer of bad luck, she becomes a social outcast.

Forging the Swords 1994 ( 8)

Fantastic story story based on traditional myths and themes, Lu Xun weighs the cost of seeking justice (and, by extension, of wielding the sword of truth), and suggests that great sacrifices are most certainly required in this particular pursuit. Based on the novel by celebrated Chinese author Lu Xun.

A Nail Clipper Romance 2017 ( 7.2)

After being released from hospital after a surfing accident, Sean meets a girl at a party and falls in love. She draws him into her strange world and confesses that she follows an unusual diet: she only eats... nail clippers! Sean loses his head and decides to help her realize her dream of opening a bar for other nail-clipper eaters.

Absolute Territory 2017

Tilapia 2019

Due to severe air pollution, the preparation of the relocation of village Dalinpu is now on the move. Villager Ayu is also busy preparing for her new life after leaving here and has sent her proposal for new job position, while her father tóo-á disagrees with the idea of migrating and insists on his fish farming here. The story starts at the night when a heavy rain is hitting the town......

My Best Friend's Breakfast 2022 ( 5.667)

Xiang Wei-xin, a 17-year-old high school sophomore, regards eating as the most important and most healing thing in life. The first time she met her senior Tao You-quan was in the school's welfare agency. At that time, Xiang Wei-xin lost 5 yuan and could not buy her favorite pineapple bread. Tao You-quan made up the money for her, which made her feel deeply indebted to her.

The Machinist's Lament 2014 ( 8)

"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.

I Am Cloud 2024

Referencing the Cloud—a cyber-infrastructure that stores our memories and data through seemingly remote servers that are in fact powered by an unseen network of humans—the exhibition featured recent and new videos, paintings, and mixed-media animatronics, speculating on the myth of virtualized labor through a postcolonial feminist lens.

The Land at the Bottom of the Sea 2023

Firsthand accounts of industrial workers and worker poetry are embedded within other nonfiction sources, woven into a melancholic elegy alongside a visual narrative depicting failed social encounters with mermaids. Packed within its digital body is an assembled archive of disappeared women activists, tens of thousands of digital proofs of the existence of fighting women, preserved against the dissolution of memory.

The Pink Detachment 2015

The Pink Detachment is an update of “The Red Detachment of Women” (1964), a Model Opera from China’s Cultural Revolution. Here the protagonists are an accident-prone worker and a ballerina-manager who has the tools to alleviate the worker’s problems. At the center of the piece is the color equation, Red + White = Pink, from which multiple parallel meanings emerge. The first is the old term “pinko,” meaning a watered down Communism, or a liberal with uncommitted Red sympathies. The second is a proposal to solve future crises in meat supply by re-valuating hot dog and sausage production as a solution, by integrating ‘undesirable’ portions of pig with the ‘desirable’ portions, embodying perfect equivalence in consumable form. And the third is pink as femininity – not as a ‘natural’ fleshy softness, but rather a synthetic, engineered (and potentially violent) hybridity.

ARXIV 2019 ( 6)

A sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.