A film made of objects, faces and texts; of lost cats, of found pictures, cut-outs, recreations; a poetic subversion in diary form, one that breaks the calendar into a novel, driving relentlessly as a journey to the end of the world.
Nenad is a worker at a train repair factory in Prijedor, Bosnia and Herzegovina, and as many young people around him, he plans to go to work and possibly permanently live in Slovenia. Between nostalgia for the homeland and dreams of a better life, the film explores the dilemmas that arise when you decide to leave your country.
Director Delphine Wil collects testimonies from the last witnesses of the evangelization of the Congo, missionary priests and Congolese servants in their nineties, in order to paint as nuanced a portrait as possible.
