Jean-Louis Levi-Alvarès

Jean-Louis Levi-Alvarès

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God Chose Paris 1969

An interesting mixture of filmed scenes with Belmondo and archival footage regarding cultural aspects of all kind around Paris, starting at the end of the 19th century and ending in the mid-1960's. Jean-Paul Belmondo leads us through the movie starting as a young photographer around 1900, a reporter in both world-wars and doing fictional interviews with lots of celebrities.
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The Glass Cage 1965

A study of conscience set against the trial of Eichmann in Israel.
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Le bonheur est pour demain 1961

Alain is a young man who has just left his parents and finds himself lost in Saint-Nazaire, a French coastal town whose main industry is shipbuilding. Alain arrives just as the liner SS France is under construction and he soon strikes up lasting friendships with dockyard workers. It is here that he also gets to meet the love of his life...
Jean Alvarado

Jean Alvarado

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You Have Arrived 2019

Three socialite friends get invited to an exclusive party but ends up getting trapped in a human trafficking scam.
Jean-Claude Alvarez

Jean-Claude Alvarez

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The Mystery of the Rascar Capac Mummy 2019 (8.3)

Rascar Capac, the sinister creature featured on Hergé's album The Seven Crystal Balls (1948), has left its mark on many generations of readers. To draw it, the Belgian cartoonist was probably inspired by a mummy exhibited in the first pre-Columbian exhibition organized by the Brussels Cinquantenaire Museum in 1923. Two intrepid archaeologists embark on a fascinating journey to reconstruct the story of the mysterious mummy.
Jeane Alves

Jeane Alves

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Cinema, Aspirins and Vultures 2005 (6.977)

1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.
Jean Pierre Alvares

Jean Pierre Alvares

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The Deers 2023

The wait brings everything to a standstill. Existence becomes diffuse as time goes by. Observe everything or just what we want to see.