Movie Cosmos - LookupActor

Actor Jean-François Zeller

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An Occurrence at Owl Creek Bridge 1961 ( 7.641)

During the American Civil War, a Southerner is about to be hanged from a bridge for sabotage when something unexpected happens.

Skies Above 1965 ( 5.6)

The crew of an aircraft carrier discovers that it is being pursued by a UFO that turns out to be a radioactive probe from outer space. They appeal to the warring countries of Earth to stop fighting and help it to repel the invaders.

Requiem pour un caïd 1964 ( 5.8)

Police officer Antoine Delille is in charge of putting an end to the activities of a "kingpin", Jo Pinelli, trafficker, racketeer and pimp. He has three women working for him, including Eva and Jeannette, and is currently "conditioning" a charming, naive Orly employee, with whom he poses as an honorable businessman. Inspector Delille's plan is to arrest Jo for some crime and, while he's being held at the P.J., to delve into his other criminal activities and confound him.

Actor Jean Zeller

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The Invitation 1973 ( 6.1)

After the death of his mother, middle-aged insurance employee inherits her small cottage surrounded by a garden. Selling the cottage which is situated on unexploited ground near the center of a big city makes him a rich man and he buys a big house in the countryside. He takes some time off and decides to throw a big garden party at the house and invite all his colleagues from the office. Aided by alcohol, the guests gradually lose all their inhibitions and reveal personality traits and frustrations that they normally keep hidden.

The Moon by Our Teeth 1967 ( 7.8)

The film follows William, thirty-ish, out of work and looking for a new life after apparently having been thrown out of his previous one. He meets up with Noelle, who seems intrigued by his restlessness - until her economist boyfriend shows up. Yet plot details do little to convey the power of the film, which lay in its capturing the anarchic texture of William's life - a life whose lack of direction was read as a rebuke of the Swiss myth of orderliness and self-satisfaction. With his roots in documentary, Soutter excelled at creating a loose, vibrant cinema, full of quick zooms and dynamic hand-held shots, with dialogue that often alternated between outright quotations and stylized interviews.

Haschisch 1968 ( 7.5)

Two guys facing problems in relationships and wondering about the living on the capitalist society.