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Min, a Korean boy, moves to Japan with his father who is a potter. One day at a local shrine, he meets Nanae, a beautiful Japanese girl with stunning eyes who is aspiring to be a painter. Min falls in love at first sight and finds out that Nanae attends the school to which he has just transferred. Their friendship develops fast despite their cultural and language difference. When Min's grandmother falls ill, Min returns to Korea and Nanae is nowhere to be found. Had his true feelings for Nanae not been apparent to her? Why has Nanae disappeared without a word?
Miner Junpo's daughter is seriously ill and needs urgent treatment. Junpo goes to the mine owner's house to demand money that is owed to him. To no avail. Unable to raise money anywhere for his child's treatment, in desperation Junpo kidnaps his boss's daughter. At the same time, several other unrelated people are involved, either by coincidence or on purpose, in the whole affair. The situation spins out of control. Some will lose their lives, some will be sent to jail, some will have to flee all their lives. A multifaceted story about crime, forgiveness and love in the scenery of the cold Chinese mountains.
A family of lions and a family of cheetahs struggle to survive the consequences of climate change in the Serengeti.
The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.
